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	<title>Deeper Into Music Blog &#187; Amy White</title>
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	<description>discover new music - internet radio radical mix</description>
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		<title>A Record of &#8220;The Record: Contemporary Art and Vinyl&#8221;</title>
		<link>http://deeperintomusic.net/blog/deep-thoughts/record-the-record-contemporary-art-vinyl-868/</link>
		<comments>http://deeperintomusic.net/blog/deep-thoughts/record-the-record-contemporary-art-vinyl-868/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 16:49:34 +0000</pubDate>
		<dc:creator>Amy White</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Deep Thoughts]]></category>
		<category><![CDATA[Featured]]></category>

		<guid isPermaLink="false">http://deeperintomusic.net/blog/?p=868</guid>
		<description><![CDATA[&#8220;Vinyl Fetish&#8221; was the name of this punk record store I used to frequent in Los Angeles. It was run by a guy named Henry. I&#8217;d go in there and Henry would cut my hair.
I hadn&#8217;t thought about that place for a long time until recently, when the Nasher Museum of Art at Duke University opened an exhibition called &#8220;The Record: Contemporary Art and Vinyl.&#8221; 
The exhibition looks at artists and the vinyl they love. Turns out a lot of artists have dealt with the subject of the record album. The show covers over 41 artists who&#8217;ve dealt in one way or another with his/her own vinyl fetish. I wrote about The Record for the Independent Weekly.
]]></description>
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		<title>Vows of silence and other paradoxes</title>
		<link>http://deeperintomusic.net/blog/deep-thoughts/vows-silence-paradoxes-668/</link>
		<comments>http://deeperintomusic.net/blog/deep-thoughts/vows-silence-paradoxes-668/#comments</comments>
		<pubDate>Sat, 05 Jun 2010 22:21:14 +0000</pubDate>
		<dc:creator>Amy White</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Deep Thoughts]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://deeperintomusic.net/blog/?p=668</guid>
		<description><![CDATA[In Philip Gröning&#8217;s 2005 documentary Into Great Silence we spend almost three hours in the company of monks who&#8217;ve taken a lifelong oath of silence in a Swiss monastery.  This lush beautiful film gives us a fleeting sense of a life of profound, ascetic quietude.
It&#8217;s a paradox, of course, for a sound medium to talk about silence.  Simon and Garfunkel famously sang about silence &#8211; the poetically contradictory construct of the sounds of silence &#8211; in their 1965 hit.
The other side of this are those songs that remind us about sound, words and listening.  &#8220;That&#8217;s the sound of the men, working on the chain gang&#8230;&#8221; The backbeat of the song is driven by a kind of simulated hammer and stone sound, punctuated by the narrator/singer who tells us what those men are longing for, &#8220;You can hear &#8216;em saying, hmmm, I&#8217;m going home&#8230;&#8221;
The Cascades&#8217; 1962 hit &#8220;Listen to the Rhythm of the Falling Rain&#8221; begins with the crash of a thunder clap and the rush of an ensuing storm as the backdrop to a lover&#8217;s lament.  The lyrics suggest that the sound of the rain might be more important than any words the singer has to [...]]]></description>
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		<title>Undertow and submerged sound</title>
		<link>http://deeperintomusic.net/blog/deep-thoughts/undertow-submerged-sound-540/</link>
		<comments>http://deeperintomusic.net/blog/deep-thoughts/undertow-submerged-sound-540/#comments</comments>
		<pubDate>Sat, 03 Apr 2010 16:45:16 +0000</pubDate>
		<dc:creator>Amy White</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Deep Thoughts]]></category>
		<category><![CDATA[listening to Deeper Into Music]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://deeperintomusic.net/blog/?p=540</guid>
		<description><![CDATA[Three tunes from the Deeper Into Music archive with a dreamy submerged sound that just kind of pulls you under&#8230;


Kiara by Bonobo
Tweaked electronica.  Halting beats.  You can feel the gaps.  Beeps and blips and faux harps.  Swells and grooves.  Great interstitial sound. Nice to sometimes barely have vocals.  Nonwords clipped and sweet.  Maybe played backwards but somehow comprehensible.  Electronic sounds have been around long enough that some of them trigger associations to a distant past.  Other lifetimes.  Unlike a lot of other ambient pieces that sort of flatline this one develops, crescendos, becomes something.  Custom fits the body into a rhythmic pattern.  Synth strings culminate in reminiscent harmonies.


Waves by Holly Miranda
This one caught me, or you might say I caught it.  Waves like sound waves not just ocean waves.  Calm authority of her vocal.  Blues inflected cool.  Katrina and the Waves never lived up to the resonance of this idea of waves, but here&#8217;s Holly Miranda fulfilling some of that poetic potential.  Drone of vintage organ anchors etheral aspects.
where do the waves go my love?
 some may go liquid
 i don&#8217;t know, i [...]]]></description>
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		<title>Killing moons and missed connections</title>
		<link>http://deeperintomusic.net/blog/deep-thoughts/killing-moons-missed-connections-512/</link>
		<comments>http://deeperintomusic.net/blog/deep-thoughts/killing-moons-missed-connections-512/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 12:12:15 +0000</pubDate>
		<dc:creator>Amy White</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Deep Thoughts]]></category>
		<category><![CDATA[listening to Deeper Into Music]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://deeperintomusic.net/blog/?p=512</guid>
		<description><![CDATA[I used to know the guys in this band called Translator. Their one KROQ hit was a tune called Everywhere That I&#8217;m Not, a kind of jetsetter anthem about missed connections.
One night in LA some of the Translator guys were heading out to hear a band called Echo and the Bunnymen and invited me to join them.  I&#8217;d never heard of that band and for whatever reason I just couldn&#8217;t get past the name.  I mean, come on.  Echo?  And the BUNNYMEN?  Please. How could a band with a name like that could be any good?
(Feel free to snicker and mutter under your breath at this juncture.  Believe me, not too long afterward I learned just how wrong I was.)
That same year my sister was traveling through Europe and went to see Echo and the Bunnymen in Amsterdam at this happening club called the Melkweg (Milkyway).  (I think it&#8217;s pretty obvious from this story who the cooler sister was.)
I guess you might say that Echo and the Bunnymen were pretty much everywhere that I wasn&#8217;t.
The other day Think I Need It Too by E&#38;TBM was streaming on DIM and it all came rushing [...]]]></description>
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		<item>
		<title>Good things come in threes</title>
		<link>http://deeperintomusic.net/blog/deep-thoughts/good-things-come-in-threes-466/</link>
		<comments>http://deeperintomusic.net/blog/deep-thoughts/good-things-come-in-threes-466/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 23:52:41 +0000</pubDate>
		<dc:creator>Amy White</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Deep Thoughts]]></category>
		<category><![CDATA[listening to Deeper Into Music]]></category>
		<category><![CDATA[mp3 downloads]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://deeperintomusic.net/blog/?p=466</guid>
		<description><![CDATA[Is it possible to rock out to a waltz?  The Schramms make me a believer with their song Home on Little Apocalypse.  The lyrics - apparently based on a poem by Emily Dickinson - are pretty inscrutable and mysterious: "If my coming were my will I could not belong/'cause my heart isn't here it's always alone."  But the mystery only draws you more profoundly into a persuasive one-two-three that induces a trancelike sway, of the sort that only exists in three/four time. Ideas can't be tied up in a neat package in ...]]></description>
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