Look around, round, round round round

March 7, 2010
By
Siouxie

Siouxsie Sioux - Best Of

Siouxsie Sioux was a pop singer of a different order. I could never really imagine her as real. Siouxsie never seemed of this world but rather came off as a mythic figure, a being who perhaps landed on the planet and reverberated music back to us as a transcendent means of intergalactic communication. Her cover of the Beatles’ Dear Prudence is a sober, almost dirge-like reiteration of the original. There’s something literal about it, as if Siouxsie believes it’s a song that must be sung and understood by humans in order for us to evolve according to some predestined cosmic agreement.

Siouxsie gives her best approximation of being earthbound but she’s obviously not from around here as she intones the lyrics, originally written by John Lennon for Mia Farrow’s sister Prudence at an ashram in India where she spent days on end meditating in isolation. The question is whether enlightenment arises from separating oneself from this world or communing in the light of day with others. Siouxsie’s impassive delivery suggests she floats outside of the two sides of this question, calling Prudence to come out and play without any sense of urgency. “The wind is low/the birds will sing/That you are part of everything/Dear Prudence won’t you open up your eyes?”

I don’t know where she is now, but I prefer to imagine Siouxsie somewhere across the universe, having implanted her messages into our collective consciousness and now having moved on to other realms. “Look around, round, round round round…”

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About the author

Amy White

Amy White, Deeper Into Music Contributor, is an artist and a writer based in Carrboro, North Carolina. She writes about art for The Independent Weekly and works in her studio at a bend in the Haw River in Saxapahaw, NC. Amy also blogs about breakfast, coincidence, and funny stuff.

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